Frivolous not as in pointless, but frivolous as in the écume des jours (Froth of Days) of Boris Vian.
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The Love Piece is a engaging surprise, if you haven’t read this article. And if you have the chance to see The Love Piece yourself, don’t read it.
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Transformers is far from the dullest show among this year’s performances. There is movement, there is emotion, there is excitement, there is a point.
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The beauty and strangeness of Last Touch First remains after the noise of the rest of the festival all dies down.
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Ten minutes of compelling dance and ten minutes of dull rehearsal and ten minutes of rather mediocre film.
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As a reflection on time and mortality, this restaging of Rosas danst Rosas provokes enough to leave no regrets.
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The greatest rival of the master is often not other artists but his or earlier self. And so it is here with Vandekeybus.
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Six out of nine for laboratory work is a very good score. One masterpiece, Dan Datcu’s Everlasting Pictures.
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