There’s an inherent conflict between the filmmakers and adventurers: “The more miserable we looked in our old gear, the happier they were.”
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Piestany is beautiful and Cinematik is a small, personal film festival with gems from new European cinema. A few shots from opening night.
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Weinstein and Palmer envision a prosperous world without childhood demons, without war, without Russians.
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In this context, Lauretta Prevost recently put together an off the cuff clickbait article about dance film, based on the work and opinions of a certain Angelo Silvio Vasta.
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Based on his uninspired and dull showreel, I wouldn’t take any of Angelo Silvia Vassa’s advice on shooting dance. In particular, Vassa dismisses dancing with the dancer and handheld footage.
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All but the most dour and least imaginative will leave the theater with a smile on the face and questions in the heart.
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Still I’m wondering why we couldn’t have seen one of the many successful students whom I know with making progress in lfie without a prison term.
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If works the quality and the honesty of Marfa Girl are what direct distribution brings us, the future of independent film looks brighter.
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Watching Prometheus is like going to bed with a beautiful hooker. Everything is perfect but there is neither love nor sense in the motions.
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