The same Neue Donau where I often swim is a conduit right past the city which keeps the city entirely safe from flooding…. The strangest thing to see on televis was in the towns where the entire centre of the town has been flooded out again for the second time in five years, people are complaining about their houses and businesses being flooded and the losses.
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Like many, I am very tired of water photographs…. So I was surprised to find a series of water pictures in one my least favorite places based on water both beautiful and inspiring.
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Donau nach Gewitterregnen – the Danube after a Thunderstorm
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The music was good and the vibe was really easy-going…. As well as the music, there was a full sauna and pool and jacuzzi available to party-goers.
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On my way home I enjoyed the morning at Heldenplatz. Usually I am there in the afternoon and the light is very different.
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Vienna was an imperial city. From the 17th century through the 19th century, much of the time Vienna was Europe’s fourth capital (Paris, London, Moscow, Vienna).
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And he has one blue eye with normal whites, the one you see, which looks just like a man’s blue eye…. What a lot of people who take their dogs out to music events forget, is that while the dogs love the company, the volume of music that people enjoy is much, much louder to dogs.
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Why should flexibility in Grand Rights negotiation necessarily result in poor quality productions.Such specious arguments suggest again that there are too many lawyers to feed here and that we are a long way from the composers.The next music publisher up at bat, Thomas Tietze of Bärehnheiter Germany points out that producers and publishers should not see one another as enemies but that open communication requires flexibility Czech composer Zbynek Mateju recounts that he had had problems with my own work…. The system must change from flat fees per country to a percentage of what the producer receives.Otherwise, Hungarian TV offers $1K for rebroadcast but since the music publisher wants $2K no sale can be made and it is impossible to get these works shown in smaller countries.In Dr. Moritz’s opinion, license fees are not the barrier now, but publishers’ fees.Chris Hunt head of Digital Classics in the UK sent in a written statement: of the thousands of hours of programming for which Digital Classics own the rights for there are hundreds of hours with Grand Rights attached.
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