NY Times David Brooks manages to argue from both sides of his mouth: against the bailout of the big three auto companies, but for the bailout of the banks.
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Here are the seven camera requirements for dance (or classical concert) photography in order of priority. At the top of the list is Quiet.
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Review of Nikolaus Adler’s return to the big stage with Homonculus Dance in Vienna. A triumph of style recalling Blade Runner and film noir. Photos.
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A pleasure to see dance and stagecraft thoroughly done in Tanzquartier. A splendid expression of Damien Jalet’s fascination with the primordial.
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Leaving the world at 58 still in the prime of his strength after a successful election cycle, Jurg Haider will remain an icon of Austrian independence.
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Renato Zanella is not one to count out. Now that the weight of administration is no longer on his shoulders, he seems to have found his muse again.
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I’d like very much to see some of the work Ratmansky created while in Moscow. Created might be the wrong word, as many of the works seem to be recreations of lost works, like the “Flames of Paris”. Ratmansky in the end – even in the short piece I saw – was always about deconstruction. Rather than the matter itself, Ratmansky wanted to look at the illusion: Meta-choreography.
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“Every day I am inundated with email forwards, usually from church members, extolling the virtues of our nation’s leaders and the current war….They’re the ones that are always sending me these emails about how wonderful it is to bomb cities full of women and children because of a lie.
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