Briar-Rose A long time ago there were a King and Queen who said every day, “Ah, if only we had a child!” but they never had one.
28 CommentsCategory: Dance
Choreolab 06 opened with a piece from András Lukács, who regular readers might remember from the evening of Nicht nur Mozart where he offered Tabula Rasa, a group piece with a touching duet for men…. Finally, Emma Harrington, who was one of the two leads, has such a beautiful cameo appearance that she could just come and sit for a painting and it would be a pleasure to the eyes to rest upon her timeless features.
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To his and the Vienna dance world’s astonishment, the new director forbid Mr. Adler from doing any choreography outside the Staatsoper this season…. It was presented as part of Choreo.lab 04 and included much of the same cast, notably in the two leads Alena Vaskova and Wolfgang Grascher.
1 CommentChoreographer Karina Sarkissova of Moscow is just twenty three years old and is the youngest of the choreographers presenting work at Choreo.lab 06 by nine years…. In any case, in their silly wigs and their flesh colored jerseys and badly draped skirts, the three sisters looked like anything but children of nature.
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A pop star (Franziska Hollinek), her bodyguard, a cleaning lady (Rafaella Sant’anna), two angels, a bank robber, a call girl, an impassioned young lover…
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The second piece of the evening was a clear dramatic story by first time choreographer Vesna Orlic, originally from Belgrad and with the Volksopera since 1987 where she has been a first soloist since since 1995.
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Photos are up. Review to come later today.
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In Act II where Onegin and Tatyana meet at a Petersburg ball and Onegin tears up Tatyana’s letter to him in front of her eyes, Sue Jin Kang again went through the motions of lovesick madness well enough – it’s a scene which reminds the viewer of Giselle’s dance of death in front of the Royal party at the end of Act I of Giselle – as she flees the ballroom…. Alas, as I noted earlier Jelinek is not at his best as the older broken Onegin – maybe in a few short years (balletic life is every so short) when he is holding onto Onegin as one of his last principal roles at the Stuttgart Ballet, he will be ready to interpret the regrets of the old roué playing his final unsuccessful card.
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