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Visit to Universidad Nacional of Columbia in Bogotá

Today I had an eleven o’clock screening of Lapinthrope, followed by a lecture on arts filmmaking in the cinema department of Universidad Nacional in Bogotá.

The class was small – apparently one of photography. I spoke about digital filmmaking and made a strong case for the future being digital and not chemical.

I spoke about light cameras and custom steadycam rigs. I spoke about PAL and NTSC and television interlacing (30 frames of NTSC televison are in fact 60 frames of interlaced low-resp – smooth and ugly).

I spoke about Hollywood and their absence of need for other tales than their own. Of the commercial nature of commercial cinema. I spoke about integrity and the desire to tell one’s own stories. I gave them strategy (buy a good camera second-hand and sell it after the project; rehearse with the camera you will use to shoot).

I spoke about collaboration and the torment of the shoot. Choose your collaborators carefully as you must trust them absolutely, even under extreme stress.

I spoke of the need for companions. A film can only be a success if everyone likes every minute of an entire film. Everyone has to be engaged by every minute of your film throughout. This is why you need more than one set of eyes. You cannot see your film for everyone yourself at all times.

Other eyes help you with this.

They asked about my goals with this film.

To speak about things which I care deeply about. Urbanisation, civilisation, alienation, community. To share my passion for dance. So that everyone who saw this film Lapinthrope would love dance and follow it regularly afterwards. So that there would be an audience of millions who would demand more films liked Lapinthrope.

As you can see, we have had some success but we have some distance still to go.

Not sure if they caught the ironic drollery in the above.

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