Markowitz, Adler and Toulon demonstrate one needs neither large stage nor large budget to mount ambitious work: just a will to create with strong dancers and some time.
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If Ulrich has managed to expose Persian literature to more Austrians, his reckless appropriation of Rumi’s name will have done no harm and much good.
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The three works chosen by Legris showcase Robbins’ work as an avant-garde choreographer, a Romantic ballet master and a Broadway showman in turn.
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