Blowing up pianos – Cats Park Your Love is a Sin

October 22nd, 2013 § 1

Watching this video is tough for someone who loves music, musical instruments and antiques. trip pop Russian band Cats Park destroys a gorgeous old C. Goetze signed black upright piano. When the paint started to flow I thought it might just by water based and wondered how they would clean it off. How wrong I was.

If Hollywood can blow up cars and buildings (less and less, more and more done purely in CGI), indie music videos should have the right smash old pianos in the pursuit of art.

Apart from the death of the piano, a quite beautiful and simple video. Like most good videos, there’s a single strong image and it’s followed through consistently. We create and then we destroy. There is no permanence. Echoes of Shelley’s Ozymandias. Even truer in emotional terms. The closest couples often become the most bitter enemies or the most estranged souls on the planet.

Blowing up pianos - Cats Park Your Love is a Sin Continues »

ImPulsTanz 2012: Benoît Lachambre – Snakeskins

August 10th, 2012 § 0

For years I’ve been hearing about Benoît Lachambre and how splendid and illuminating his work is. From the same crowd who love Jerôme Bel and detest Anna Teresa de Keersmaker and passionately loathe ballet.

Hence Lachambre’s work has always appeared conceptual and fairly painful to me. In the best case, instructive or prophylactic, like a trip to the dentist. The tangy taste I had of his work with Clara Furey at the Franz West Tribute did inspire me to attend a full show. What impressed me there was his intensity. Lila, under Lachambre’s mentorship for the summer, told me that his main speech to DanceWeb was all about intensity on stage. A very good point to make.

Benoit Lachambre Snakeskins photo Christine Rose Divito
Benoit Lachambre Snakeskins: LaChambre is bottom left, Albanese is bottom left
Rowe is on top of the rig pounding a thunder sheet
photo Christine Rose Divito

In “Snakeskins”, Lachambre begins by hanging upside down in a harness under a vast set of cables which dip four metres out to the audience. On the left of the netting is a guitarist with some computers and sound decks. As Lachambre waves his arms and the cables move, he appears to be flying like a giant bird. As he flies the music soars.

Throughout the piece Hahn Rowe’s sound is incredible. The closest equivalent which comes to mind (without Frip’s vocals) would be King Crimson. Or the Canadian band Black Emperor. Rowe for extended passages even plays his guitar with a bow like a classical violinist.

ImPulsTanz 2012: Benoît Lachambre - Snakeskins Continues »

Guitar Porn

October 4th, 2010 § 0

Normally our beat around here is high culture and dance. While figuring out how to get get some of our own videos out to you, I ran across a heavy metal music video which really works. In its way, this bit of guitar porn is a dance video itself.

In the middle 030 drags a bit, it even seems like director Jeppe Kolstrup is going to back off the logical conclusion of his own idea. But no, he takes it to the end. Leaving a clear view of the face of the model to the end is a nice touch.

Full length UNCUT version of ‘030’ by The Good The Bad

Sex sells. Especially good sex.

Tanz Baby at Melt

September 19th, 2010 § 1

Another good concert in the fabulous  Melt series from Pazit . The Melt series in the Austellungsraum at 23 Gumpfendorferstrasse is the most vibrant concert series in Vienna now for electronic and experimental music. Pazit focuses usually on strong singer/songwriters and doesn’t really limit the series too much by genre. In the current series of concerts, there’s been real experimental, along with Falco revival Tanz Baby and even almost reggae.

Tanz Baby is a little bit kitsch with David Kleinl going somewhat over the top in his ersatz Falco persona. But like the original Falco, Tanz Baby is playful and fun. Everyone there had a great time.

Here are some photos. 

tanz baby david kleinl bubbles
tanz baby david kleinl bubbles 
tanz baby david kleinl
tanz baby david kleinl

Tanz Baby at Melt Continues »