Swimming in Swan Lake: Fifth International Dance Gala in Graz

In his Fifth TanzGala Graz the director of the Graz Ballet, Darel Toulon decided to finish off dance critics once and for all. At half time, it's already almost ten o'clock. We've seen seven excerpts and one full miniature already. The non-writing public is delighted by this cornocopia of choreography. Animated chat and high spirits reign.

The evening began with a short extract from one of Toulon's own most ambitious works, Swan Trilogy (Schwanentrilogie). I saw the full piece at its premiere in 2009 and Swan Trilogy has aged well. The giant eggs with cracks in them create impressive atmosphere while Dianne Gray looks fabulous as the Swan princess. Michal Zabavik is in great form. The live orchestra give the performance the feel of one Europe's great cultural capitals like Moscow or Paris. It's a pity the excerpt was so short.

The next pas de deux came from Roland Petit's Proust ou les intermittences du coeur. Two men dance naked to the waist as equal partners. Beautiful shapes, tender movement. Gabriel Faurie's Elegy for Violoncello and Orchestra provided a deeply moving acoustic background for what Toulon correctly noted as a masterwork. 1974 is like today. Rainer Krenstetter and Marian Walter's communication via movement will be the best we see tonight. A perfect performance of Petit's perfect piece.

Marian Walter und Rainer Krenstetter in Roland Petits Duett aus Les intermittences du Coeur
Marian Walter and Rainer Krenstetter in Roland Petits
Duett from Les intermittences du Coeur

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Celebrating Sacre in Graz

In Graz the 2013 season was dedicated to the work of Nijinsky and the Ballets Russes. The crowning achievement is a three piece full evening of Maurice Ravel, Claude Debussy and Igor Stravinsky with full orchestra.

A sumptuous rendition of Maurice Ravel’s Daphnis & Chloe opens the evening. As substantial a stage as is the Oper Graz, the orchestra pit is full to bursting while the female voices take up the the left upper lodge. The male singers are in the wings backstage. The musical performance is worth the price of admission on its own. Combined with ballet director Toulon’s complex visuals, this is an extraordinary work. Majestic dancer Bostjan Ivanjsic takes centre stage as Daphnis. The role is a complex one, exploring a young man’s sexuality – first timid, then more aggressive. He throws himself into a pool on stage and comes out soaking wet and fully nude, challenging the slightly bourgeois Graz Opera audience with full frontal male nudity.

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