First Bicycle Continues »
April 27th, 2017 § 0
First Bicycle Continues »
April 25th, 2017 § 0
A good friend and colleague of mine is a professional political pundit. He was and is very anti-Trump. I argued a case in favour of Donald Trump. In the end, electing Donald Trump on his message of MAGA seems to have been as futile as electing Barrack Obama on his message of hope and change. Here is my mea culpa to my friend. It appears prudent people should plan for a post-apocalyptic world:
Just to note: you were right about Donald Trump (I argued above you didn’t give him a fair chance). Trump is the same sellout as Barrack Obama was, betraying his MAGA voters as Obama betrayed his hope and change voters. Was George Carlin right about the unseen angle on the Kennedy Assassination?
Whomever the Americans elect, regardless public platform, that politician turns around and pursues a Wall Street/military industrial complex/Big Oil agenda.
Post-Apocalyptic Trump World Continues »
April 8th, 2017 § 0
The Admiral Grigorovich will be shadowed by submarines. Any large warship is a sitting duck at this point to a capable adversary. The displacement of the Admiral Grigorovich is just 4000 tonnes loaded in comparison to almost 9000 loaded for each of the USS Porter and USS Cole, albeit Admiral Grigorovich is a 2013 issue warship while the USS Porter and USS Cole are about fifteen years older. Even without the submarine thread or the menace of an attack by American planes from nearby Mediterranean airbases, the Admiral Grigorovich would be hard pressed to sink both the USS Porter and USS Cole at the same time.
Moreover the Admiral Grigorovich is one of just three such Russian frigates while the US has
62 Arleigh-Burke class destroyers in service. The Russians would not like to trade the Admiral Grigorovich against even three such US destroyers. Is the Admiral Grigorovich a threat to USS Porter and USS Cole? Continues »
July 8th, 2015 § 0
One of the great things about having a dog is that he will take you off the beaten track. Sometimes far off the beaten track. In this case on a 37 degree day, Thor insisted on going through the woods. I ended up crawling through bracken in shorts with low rise socks (very cool looking invention until crossing berries and vines in the woods).
Remnants of Hapsburg Pressburg Continues »
January 20th, 2015 § 0
So this is how Hans felt
before the war. Hitler’s voice drones
on the radio. A toothbrush in his hands,
his eyes in the mirror. Surely,
he thought, it won’t come to this.
Level heads will prevail. Not twenty years
ago the cannons went silent.
But this time my bleary eyes admit,
it’s been seventy years. Three generations
lived and died with just whispers
in the jungles or Balkan piano clatter.
An inconsequential hundred thousand
Arab children may have starved.
Nothing real, nothing like this. Slow heartbeat,
the distant boom of the end, absolute.
Hans’ wife pooh-poohed the menace then
as mine now. Take Gretta with you my love
while you’re out with the dog. Fresh air
will do you all good. She smiles, urgently
rubbing cream into her forehead. A furrow
across her brow, dismisses any other care.
Real men do not fret about
what they cannot change. Children
to be taken to school, cannons to load.
Duties to be discharged equally.
Centuries alter not man’s destiny, woman’s
insouciance. Accept the force. Indispensable
nation. Sieg Heil!
May 10th, 2014 § 1
In his Fifth TanzGala Graz the director of the Graz Ballet, Darel Toulon decided to finish off dance critics once and for all. At half time, it’s already almost ten o’clock. We’ve seen seven excerpts and one full miniature already. The non-writing public is delighted by this cornocopia of choreography. Animated chat and high spirits reign.
The evening began with a short extract from one of Toulon’s own most ambitious works, Swan Trilogy (Schwanentrilogie). I saw the full piece at its premiere in 2009 and Swan Trilogy has aged well. The giant eggs with cracks in them create impressive atmosphere while Dianne Gray looks fabulous as the Swan princess. Michal Zabavik is in great form. The live orchestra give the performance the feel of one Europe’s great cultural capitals like Moscow or Paris. It’s a pity the excerpt was so short.
The next pas de deux came from Roland Petit’s Proust ou les intermittences du coeur. Two men dance naked to the waist as equal partners. Beautiful shapes, tender movement. Gabriel Faurie’s Elegy for Violoncello and Orchestra provided a deeply moving acoustic background for what Toulon correctly noted as a masterwork. 1974 is like today. Rainer Krenstetter and Marian Walter’s communication via movement will be the best we see tonight. A perfect performance of Petit’s perfect piece.
March 8th, 2014 § 0
One of the the more peculiar and exciting stories of recent royalty came out of Denmark. In 1766, the quite mad Christian VII ascended the throne at just seventeen years of age. He remained in power for an astonishingly long time, considering his limited facilities. A young and beautiful wife from England was brought to him Caroline.
After the birth of an heir, Christian took a trip abroad and came back in the care of a Danish-German physician Johann Struensee. Struensee became both confidante and friend of King Christian, later the lover of Queen Caroline. Together they ruled in Christian’s place for almost two years, before the Dowager Queen led a palace coup in favour of her own son. Result: Struensee executed, Caroline exiled.
In 2012, the Danes themselves made a majestic film version starring Mads Mikkelsen as Dr. Struensee called A Royal Affair. Both sensual and intellectual, idealistic and cynical, Mikkelsen is thorougly compelling in the role. His queen is a fascinating and contradictory Caroline, divided between duty and passion.
Ballet Graz artistic director Darrel Toulon’s instinct to treat this story in ballet is unerring. Dance thrives on passion and emotion, love and death. The Struensee affair has all of it.
How did Toulon do?
December 15th, 2013 § 0
The evening opens with Forsythe’s The Second Detail. When we see works like this, it’s clear Forsythe is such a great choreographer and his current strange experiments become even less comprehensible and more astonishing. But few people cared for Stravinski’s music in the 1920 so perhaps it’s we who just don’t understand.
The Second Detail opens up with a huge bright grey rehearsal space with just the words THE at the front. Thin white horizontal lines dividge the strange into precise grids. The dancers are in the same grey as the floor. I’m not quite sure why Apple is getting away with suing Samsung for packaging as Forsythe had the iPhone and MacBook Air boxing under control back in 1991 in Frankfurt. This is an early great work.
Vienna State Ballet company looks great dancing Forsythe these days. Under Legris, they’ve acquired both the élan necessary and the discipline necessary to put it all together. Strangely, the men have improved more than the women (who have been excellent as along as I’ve been in Vienna). Particularly notable is strongman Vladimir Shiskov but Mihail Sosnovichi also delivers an imposing performance while Eno Peci and Alexis Forbasco look good too. All of the men have developed powerful lower bodies and are a joy to watch.